Regardless
of what plum assignments her acting future holds, Mira Sorvino will likely never
deliver a more moving (or sincere) performance than the one she gave on Oscar
night, 1996. Looking like European royalty, Sorvino graciously accepted her Best
Supporting Actress statuette with a heart-felt dedication to her actor father.
"When you give me this award, you honor my father, Paul Sorvino, who has
taught me everything there is to know about acting," she declared. "I
love you very much, Dad." At that point, Papa Sorvino broke into tears. It
was great TV. As her poised and articulate acceptance
speech demonstrated, Mira Sorvino is a far different woman from the air-headed
hooker she played to the Oscar-winning hilt in Woody Allen's Mighty Aphrodite.
In fact, Sorvino almost wasn't allowed to audition for Allen because the film's
casting agents deemed her too refined to play a tacky call girl. Their concerns
were not unfounded, as nothing on the actress's résumé spoke to
her ability to fulfill the demands of the role. Raised in New Jersey, far from
Hollywood's glittery distractions, Sorvino spent much of her childhood with her
nose in a book. Her father, a character actor whose many credits include roles
in Goodfellas and Nixon, had always discouraged Mira and her two siblings from
acting professionally because he wanted them to grow up without the psychological
strain of child stardom_the so-called "Danny Bonaduce Syndrome." So
Mira concentrated on her studies and, after high school, she was accepted at Harvard
University, where she earned a degree in East Asian Studies. During a year abroad,
in Beijing, she learned to speak fluent Mandarin. Despite
her father's anxiety about his children following in his professional footsteps,
Mira had been in student productions throughout high school and college. Now,
as an adult, she moved to New York and tried to act professionally. She spent
the next three years doing the struggling actress-waitress thing and working as
a production assistant for Robert De Niro's Tribeca film company. In 1992, Sorvino
landed a job as third assistant director on her director friend Rob Weiss's independent
film Amongst Friends. During the course of production, Sorvino was promoted first
to casting director, then to associate producer, and, finally, to the film's female
lead. Her performance as an ex-con's devoted girlfriend marked her auspicious
feature-film debut and generated positive notices during its screenings on the
film-festival circuit. Directors Whit Stillman and Robert
Redford were among the industry figures whose attentions were piqued by the budding
actress's screen presence. Stillman tapped Sorvino's facility with languages by
casting her as a translator in Barcelona (1994); Redford directed her in her first
studio film, Quiz Show (1994), in which she played Rob Morrow's brainy, long-suffering
wife. Next up, Sorvino again relied on her proficiency with accents (and dye jobs)
in her star-making turn as Linda, the kindhearted prostitute and biological mother
of Woody Allen's adopted son in Mighty Aphrodite. She succeeded in stealing the
spotlight from her co-stars, Allen, Helena Bonham Carter, and F. Murray Abraham.
In 1996, Sorvino gave stand-out performances as Matt Dillon's
love interest in Beautiful Girls, and as the blonde Marilyn to Ashley Judd's brunette
Norma Jean in HBO's Norma Jean and Marilyn. The following year delivered up roles
in the bubble-brained comedy Romy and Michele's High School Reunion, with Janeane
Garofalo and Lisa Kudrow, and the horror flick Mimic. Her star on a steady ascent,
Sorvino banked $2 million to star opposite Asian action star Chow Yun Fat in the
1998 thriller The Replacement Killers. 1999 dawned with a starring role opposite
Val Kilmer in the romantic drama At First Sight, and later in the year, she rounded
out the ensemble cast of Spike Lee's Summer of Sam . |