| Jan Vermeer
was a Dutch painter who excelled in portraying comfortable interior scenes that
are composed with mathematical clarity and suffused with cool, silvery light.
Vermeer, also called Jan van der Meer van Delft, was born in Delft and baptized
on October 31, 1632. After serving a 6-year apprenticeship, part of it probably
under the Dutch painter Carel Fabritius, he was admitted in 1653 to the guild
of Saint Luke of Delft as a master painter. An important member of the guild,
he served four terms on its board of governors and appears to have been well known
to his contemporaries. He made a modest living as an art dealer rather than as
a painter. Only 35 of Vermeer's canvases have survived, and none appears
to have been sold. Their small number is the result of Vermeer's deliberate, methodical
work habits, comparatively short life, and the disappearance of many of his paintings
during the period of obscurity following his death in Delft on December 15, 1675.
With a few exceptions, including some landscapes, street scenes, and portraits,
Vermeer painted sunlit domestic interiors in which one or two figures are shown
engaged in reading, writing, or playing musical instruments. These objectively
observed, precisely executed genre paintings of 17th-century Dutch life are characterized
by a geometrical sense of order. Vermeer was a master of composition and
in the representation of space. He arranged tonal values and perspective over
the foreground, into the middleground, and farther into the distance in such works
as Girl Asleep at a Table (circa 1656, Metropolitan Museum of Art, New York City).
In Maidservant Pouring Milk (1660, Rijksmuseum, Amsterdam), Woman with a Water
Pitcher (1663, Metropolitan Museum), View of Delft (circa 1660, Mauritshuis, The
Hague), and other works, he recorded the effects of light with a subtlety, delicacy,
and purity of color that probably never have been surpassed. Among his
paintings are Soldier and Laughing Girl (1657, Frick Collection, New York City),
and Girl with a Red Hat (1667, National Gallery of Art, Washington, D.C.). Vermeer
was forgotten after his death and not rediscovered until the late 19th century.
His reputation steadily increased thereafter. He is today considered one of the
greatest Dutch painters. His work was forged for a time and sold to the Germans
during World War II. |