Jan Vermeer was a Dutch painter who excelled
in portraying comfortable interior scenes that are composed with mathematical
clarity and suffused with cool, silvery light. Vermeer, also called Jan van
der Meer van Delft, was born in Delft and baptized on October 31, 1632. After
serving a 6-year apprenticeship, part of it probably under the Dutch painter Carel
Fabritius, he was admitted in 1653 to the guild of Saint Luke of Delft as a master
painter. An important member of the guild, he served four terms on its board of
governors and appears to have been well known to his contemporaries. He made a
modest living as an art dealer rather than as a painter. Only 35 of Vermeer's
canvases have survived, and none appears to have been sold. Their small number
is the result of Vermeer's deliberate, methodical work habits, comparatively short
life, and the disappearance of many of his paintings during the period of obscurity
following his death in Delft on December 15, 1675. With a few exceptions, including
some landscapes, street scenes, and portraits, Vermeer painted sunlit domestic
interiors in which one or two figures are shown engaged in reading, writing, or
playing musical instruments. These objectively observed, precisely executed genre
paintings of 17th-century Dutch life are characterized by a geometrical sense
of order. Vermeer was a master of composition and in the representation
of space. He arranged tonal values and perspective over the foreground, into the
middleground, and farther into the distance in such works as Girl Asleep at a
Table (circa 1656, Metropolitan Museum of Art, New York City). In Maidservant
Pouring Milk (1660, Rijksmuseum, Amsterdam), Woman with a Water Pitcher (1663,
Metropolitan Museum), View of Delft (circa 1660, Mauritshuis, The Hague), and
other works, he recorded the effects of light with a subtlety, delicacy, and purity
of color that probably never have been surpassed. Among his paintings are
Soldier and Laughing Girl (1657, Frick Collection, New York City), and Girl with
a Red Hat (1667, National Gallery of Art, Washington, D.C.). Vermeer was forgotten
after his death and not rediscovered until the late 19th century. His reputation
steadily increased thereafter. He is today considered one of the greatest Dutch
painters. His work was forged for a time and sold to the Germans during World
War II. |